Study for Venetian Palaces on the Grand Canal by Maurice Brazil Prendergast (1858-1924)
*This piece is thought to be a study for 'Venetian Palaces on the Grand Canal', 1899. It is sketched and painted on a heavy manilla-type paper, commonly used for studies at the time. As is typical of the artist, evidence of pencil is present below the watercolour.
*This piece is not titled on the work itself. Title is based on this similar work (showing same series of buildings in Venice).
Condition (in consultation with Beverley Lambert, Art Conservator, St. John's Newfoundland):
- currently framed using acid free materials and UV-safe conservation glass. Corners protected with archival fittings. (One corner missing approximately 1/4" material, see photos).
Paper originally wood fibre, off-white manilla-type, now showing discoloration and fading from age, exposure to non-archival framing materials, sunlight. Paint and composition are still quite vibrant and clear. With age, these edges can become brittle, (slight damage, see photos)
Signed lower left. Signature is clear and crisp. (See photos)
Maurice Brazil Prendergast (1958-1924) was born in St. John's, Newfoundland in 1858 and moved to Boston at the age of 10.
See Documents tab for more information on The Newfoundland Ancestry of Maurice and Charles Prendergast by Ellen Glavin
Considered to be the preeminent American Post-Impressionist, his work can be found in the permanent collections of the Museum of Modern Art, the Smithsonian, the Whitney, the National Art Gallery and many more international private collections, public institutions and galleries.
First solo exhibition March 9-24, 1900 - Macbeth Gallery, 237 Fifth Avenue, New York. Exhibition of Water Colors and Monotypes in Color - an exhibit of 43 works from the artists time in Italy.
Provenance - inheritance, by succession. Painting has been part of the same family collection for 20 years.
- Collection of Robert Stacey, Canada since 2004.
- by succession to current owner, Canada
*This lot is Reserved. The high bid, if less than the reserve, will be presented to the Estate/Owner for consideration and/or approval. This may take 24 hours, please bid accordingly. High bidder will be contact as soon as possible to discuss.
There are no bids for the lot at this time
Session #2
Join us for more than 200 works of fine art from more than 70 estates, artists and private collections.
April Sessions will feature inspired figurative, landscape, and abstract works in most every medium.
*264/269 Lots are Unreserved
In-Person Viewing:
Saturday, April 13th and Sunday April 14th from noon to 5pm
Monday April 15th from noon to 6pm
Atlantic Place | 7th Floor | 215 Water St. | St. John's, NL
Pre-bidding begins 10:30pm, April 1, 2024
Bidding begins to close at 7pm Tuesday, April 16, 2024
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This auction features a staggered, soft close - beginning at 7PM, Tuesday, April 16, 2024, one lot will close every 20 seconds until complete. If a bid is received in the final 45 seconds, the countdown clock resets to 45 seconds for that lot only.
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Pick Up Location unless otherwise noted:
Suite 706 Atlantic Place
215 Water Street, St. John's, NL
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The auction team appreciates your interest and fair participation in this, and all future auction sales.
Wayne Bartlett
Auctioneer
Bartlett Auctions
wayne@bartlettauctions.com
709-749-9875
Canada
Please pick up your purchases Wednesday and Thursday April 17-18th from 9-6pm.
Suite 706 Atlantic Place, 215 Water Street, St. John's, NL
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Buyers, please ensure the address on your profile is correct.